AN
INTERVIEW
WITH MARTIAL ARTS FIGHT STUNTMAN CHRIS JONES
PD: How
old were you when
you first started martial arts and what style was it?
Where was it based and who taught you?
CJ: I
was around eight or nine
when I first started and I started out training in WTF Taekwondo under
an instructor
called Dean Colbourne in my home town of Balby in Doncaster.
The
school
was located in a primary school hall directly across the road from my
house.
Every week I would see people going in, in their white suits and belts
so I
couldn't resist going for a look...
PD: Why did you
start martial arts and what was your motivation?
CJ: Watching
'The
Karate Kid' initially sparked my interest, add to that the typical 80's
TV
shows of the time featuring all manner of crazy action. I was also
pretty shy
and if I'm honest quite a 'victim' of sorts.
Martial arts did wonders
for me!
Once I started training properly I became obsessed with having correct
technique, I wanted to emulate my instructor and be able to do all the
'cool' things he could do.

PD:
What do you enjoy the most about martial arts and why?
CJ: Wow,
where to
start?
I could probably
answer this
question with about 10 different answers depending on which training
period I
were to choose.
Right
now I most enjoy seeing my students achieve,
watching them
compete and succeed or simply overcoming any problems they had prior to
starting classes.
For
my own training right now, I guess its more
about
being
the best I can be right now, finding new challenges to overcome.
Two
years ago
I had a serious knee operation. I was told I wouldn't be able to kick,
run or
jump, I of course thought otherwise – It was a new challenge
to overcome!
Thankfully
my training as a child was traditional
and intense, it set
me up
well for the challenges I faced during the rehab period for my knee.
Now
I'm
back to about 95 per cent I would say, I'm always looking for the last
5 per cent.
PD:
How did you get into movie stunt work and how old were you when you
first
started? How do you become a stuntman?
CJ:
I
first started
around 2001 working on independant features and short films.
I
decided
early on
that I wanted to focus on the Screen Fighting and action based acting
roles so
I tried to learn as much as I could from as many different people as
possible.
I
emailed as many people as I could, I got up a
silly o'clock to call
people in
Hong Kong like Mike Leeder, who I have to credit as being a major
influence in
my career. Basically I pestered as many people as I could find!
Back
then the
Internet was still dial-up, it made uploading video's and photos are
rather
longwinded affair. I still stuck with it, did what I could to share as
many
videos and my own edited photos with as many film companies and
professionals
as I could. Around the same time a fellow performer called Brendan Carr
was
putting together a martial arts performance team, I was lucky enough to
be part
of that team and had the fortune of working with people like Ashley
Beck, Chloe
Bruce and Silvio Simac.
I learnt a lot from working
with these people, I was
indeed very lucky! During late 2001 I had a call up to work on the
Royal
Variety performance that year for a martial arts based performance. I
only had
a couple of days notice as it was to cover for someone that had dropped
out, I
of course took the offer. Following that I had an offer from a director
called
Steve Lawson to work on his feature 'Insiders'. At the time it was the
first
professionally produced martial arts action film to come out of the UK,
it was
nice to asked to play a small action role.
PD:
What film and TV work have you done? Can you tell me about some of the
roles you've done? What was the most enjoyable project you've worked on
and
why?
CJ:
Wow another
tricky
one to answer, I've done a bit of everything really! Sci-Fi, kids TV
shows,
stage performances, zero budget movies, Hong Kong martial arts cinema
releases and
even a bit of motion capture for SONY.
For
me one of my best
experiences was
working on a UK action movie called 'The Silencer'. It was quite a
small scale
production but I had complete control over my action scenes, that and
everyone
involved were great people, I don't remember there being any fall outs
or drama, which for the film industry is a rarety.
Another
high point
was working on
the live action re-make of the comic book series 'Blood – The
Last
Vampire'.
This was my first taste of working in Hong Kong and China.
I
was
seriously
lucky to be working with none other than Corey Yuen Kwai, who is best
known to western
audiences for working on the Transporter movies, and as Jet Li's fight
choreographer for a number of his movies. It was not only a fantastic
career
opportunity but also an awsome life experience.

PD:
How does movie 'martial arts' differ from sparring or real
self-defence?
What other skills do you need to be a screenfighter?
CJ:
In
some ways
completely different, in others very similar. Martial arts for movie
performance is usually greatly exagerated, movements are enhanced to
look
bigger and are usually made to look 'pretty' rather than effective.
That said
at times the contact can feel pretty real.
It's
usually the norm to
have no
contact but at times it simply can't be avoided, either due to the
nature of
the shot or the technique in question. Its super important to be in
good shape,
be well conditioned and ready to work at any time of the day or night,
in any
weather and wearing all manner of clothing.
For
many their usually
training
gear is very loose and often involves wearing no footware. To properly
prepare
for working as a screenfighter its important to get used to moving
around in
everyday clothing and shoes, not just your favourite Gi. Its also
important to
have some basic acting experience, its not just about how well you can
flip or
kick, you need to be able to take a hit and react accordingly.

PD:
Which do you prefer?
Eastern film fight scenes or fight scenes made in the
west? Why?
CJ:
To
be honest I can't
honestly say I'm happy doing either from a performance or work point of
view. Both
offer up their own challenges in different respects.
From
a viewer
point of view I would
100 per cent have to say I prefer the Eastern methods for action movie
making though as
they have such an incredible ability to just 'get on with it' working
hours you
simply wouldn't believe possible!
You
only have to look at people like
Jackie
Chan for an example of what I mean, that guy is a machine when it comes
to
working! Everything from their amazing performance work to their
ability to
choreograph and edit the way some of the pro's over their do, simply
incredible!
PD:
What is the future for you? Where do you hope the stunt or performance
work
will take you and what do you on a personal level hope to gain from it?
CJ:
This
year is a bit of a 're-boot' for my career. Back in 2009 when my son
was born I decided to take a
year away from media based work to spend time with him whilst he was
still very
young.
At
the same time I suffered
quite a bad knee injury, ironically
from
slipping on some stairs at home during my time off!, which evetually
led to an
operation and projected one year away from any physical exercise of any
nature.
I
was also given the rather grim
outlook of having to stop running,
jumping and
high level kicking, three things I obviously need to work at any level
within
my industry.
This
past few years I've been
working hard to get myself
back up
to a level I feel happy with, but as I said, 2012 is set to be my
return to
work. In May I'll be attending The Martial Arts Show Live to offer
workshops in
Screenfighting for movies, I hope to offer anyone interested in
learning more
about what's involved the chance to find out. Alongside that I'm
currently busy
producing a series of short films, the first should be available by the
time
your readers are reading this!
For
further information
visit:
AN INTERVIEW WITH
ESCRIMA
EXPERT BILL LOWERY
By Phil Doherty
BILL
Lowery
has been training in
Escrima for years and opened his Laban Baston Eskrima Club, in Heaton, Newcastle
in 1996.
He is
a 5th Dan in and was awarded his grade by Danny Guba and also holds a
5th Dan,
supreme graduate, under the Canete family.
He talks to Martial News Editor Phil Doherty about his love of the
Filipino
stick and knife fighting art of Escrima...

(Caption):
Escrima expert Bill Lowery with the Filipino bullwhip...
PHIL
Doherty: Hello Bill, thank you for allowing us to talk to you...
BILL
Lowery: Thank
you.
PD: Shall we start with a
little of your martial arts background and
how came
in to the art of Escrima?
BL:
I was training
in
Lee Style
Tai Chi and training in
weapons such as the
Long Sword as I was always interested in weapons. Then I read an
article about
Dan Inosanto and I wanted to train that system. I started with
instructors Ian
Andrew in Sunderland
and with Jimi McAvoy.
After training them I started studying under Danny Guba in Luton
and Percival Pableo who came across in 1996.


(Caption):
Bill with Escrima legends Danny Inosanto and Danny Guba
PD: What is it about
Escrima that made you follow its path?
BL:
What
I like about it is that it is
a full system and that covers all
ranges of fighting with weapons while having a complete open hand
capability.
In the UK
it was at its height of popularity in the late 1970's but its starting
to rise
again. But Escrima is a great way to keep flexible and fits and really
improves
eye and hand coordination, so there are great properties to the system
as well.

(Caption):
Bill at the famous statute to national hero Lapu Lapu who resisted the
Spanish invasion of the Philippines that started when Portuguese-born
Megallen landed on the islands and claimed them for Spain...
PD:
Escrima at a basic level is quite a simple system but is that's one of
its strengths...
BL:
We have single stick and
knife and then double stick and
knife. You can
use the principles and techniques to defend open handed or with a
weapon, use
locks and disarms, strikes and kicks, staff and swords...its covers all
aspects. I love Escrima for its realism. I loved Tai Chi but you need a
long
time to become proficient in it. Plus its more angled towards fitness
while
with Escrima you can really defend yourself.
PD:
...and in any situation...
BL:
Yes. The stick locks teach how to do
locks which then you can apply
empty-handed, and the other way round...

(Caption):
Bill (right) with Cano Canete in the Phillippines...
PD:
Have you trained in the Philippines?
How does the culture differ in terms of martial arts and self-defence?
BL:
It’s
very different in the Philippines
to the UK.
We went to a MoalBoal
Beach
restaurant in Cebu,
and then visited the city centre, then back Moalboal. We were found out
that
someone had been shot in the head. We saw on the TV than some one had
shot him
in the head with 45. dum-dum bullets in the restaurant we had been in.
They
have a knife culture so if you get into a confrontation with them there
is a
chance they will pull out a knife.

(Caption)
Bill training at Kawasan Falls, Cebu
PD:
How does Escrima view the knife?
BL:
The knife is a
tool, another
tool in the Escrima arsenal.
It’s a
different culture here in the UK
compared to the Philippines.
There you see young children learning knife and defences from a very
young age.
It has a weapon culture and part of that is the blade. It’s
been invaded on a
number of times and the only defence historically the common people had
was
their Escrima skills and a knife has always been a valuable
self-defence weapon
in an armed society
PD:
What other
weapons does Escrima have?
BL:
It has staff
as
well as
sticks and knives and also a
number of
bullwhips as well, called Latigo. This whip has a wooden handle. You
can move the bullwhip around in different ways
around
you head to do different techniques. The technique is only correct if
the whip
cracks on impact. Its very good for body mechanics and it improves your
fighting skills because you have to turn your waist to get the correct
level of
power. Its the same hip action that is found in the stick, knife and
open
hands.
(Caption):
One of
Bill's former instructors Jimi
McAvoy in a classic Escrima knife defence stance
PD:
In escrima there is great emphasis on "defanging the snake"
first disarming or damaging an opponent's weapon arm, whether cut or
strike,
while other systems say go for the person themselves. Why is that?
BL:
Stick and
knife
disarms
become inadequate if you focus
on the person
and attack them. If you attack the person instead of the arm you will
fail. Better
to defang the snake...take the weapon arm out or disarm. When I did Tai
Chi I
had to imagine they had a knife in their hands, in Escrima they will
have a
knife in their hands. You can see the principle in Doce Pare, using
angles
allows you to strike, block and evade all in one flowing action.
PD:
What is coming up at the Laban Baston Eskrima Club and where is it
based?
BL:
We are
currently
looking
for more new members. We are
holding a
beginners class over the next few months. The new class is on from 7 to
8.30pm
on Tuesdays. We are based at the St Theresa Church Hall, Heaton Road,
Heaton, Newcastle.
Anyone is welcome to come along and try this unique and different
martial art…
PD:
Thank you Bill for the interview. I really enjoyed talking to you...
BL:
Thank you, I
enjoyed it
too...
For further
information phone Bill on: 07834
465817
Or email:
STREET
COMBAT
SEMINAR SUCCESS

(Caption):
The seminar attendees
with instructors (Sittiing left to right) John Barrass, Phil Doherty,
Gary
Sansom and Tony Blanco
DFM
Martial
Arts has held a street
combat seminar with guest instructors from the Evasive Self-Defence
Combat
System, the Burns School of Black Belts and Tony Blanco, a former
Spanish
special forces soldier, who is trained in Japanese Ninjutsu and Korean
Hapkido.
The
seminar
was held on Sunday, August 14th and was held at the Willowburn Sports
Centre, Alnwick Northumberland.
More
than 25 people attended the course, travelling from as far as Yorkshire
and Manchester to train with instructors John Barrass of the
ESDCS, Phil Doherty of Directional Fighting Method, Gary Sansom of the
Burns School of Black Belts and Tony Blanco of the Adavanced Fighting
Centre.
Organiser
Phil Doherty said: "It was a great day and it was fantastic to meet new
friends as well as old old ones.
"I
taught basic flinch movements and techniques you can use from these
natural movement, Gary - who stepped into the breach after instructor
Rick Burns had to pull out due to a family emergency - taught
techniques from the Self-Defence Federation syllabus, and John Barrass
demonstrated his ESDCS street combat system. The whole day was capped
off by Tony Blanco who showed how principles from traditional fan and
kubotan can be directly transferred over to using a newspaper or a pen
in a street confrontation."
Below is
selection pictures from the day taken by numerous friends...

The Usual suspects...

Phil Doherty teaching passive flinch movements...

and
aggressive flinching...

Matt
Chadwick
flinches away

John
Barrass
training with Victor

Phil
Doherty showing
where to strike on the neck

Matt
Chadwick
striking Steve Mclaughlan

Martial
News blogger
David Macintyre strikes

Flinch...

Strike...

and
throw in one
flowing action

Students
practising
the moves

Matt
Chadwick and
Steve Mclaughlan

How
did I end up
down here?


Got
yer...

No
you don't...

Getting the knee into those pain points


have
a look at me foot



Have
that...

and
that...

and
goodnight...

Gary
knows who's
boss...his wife Simone drops him

Ah
- the family
jewels!

Have
a look at the
ceiling


Phil
demonstrating
where to put your hands

to
show David Macintyre how to apply a head roll takedown


getting
the knee
in...


Instructor
Gary
Sansom telling student to put his back into it


Let's
get close and
personal...

And
have a nice
tight squeeze...

before
I lay you down and put you in a world of pain

let's
have a hug!

You're
going down
whether yer like it or not


Come
here! Gary
Samson and Victor Shamov

Going
down...

Tony
dishing out the
punishment

Have
some of that!

Going
down hard...

This
story stupid...

Its
a knockout

Hah
- didn't see
that until it was too late did you

And
they all fall
down

Steve
in a word of
pain care of big John

another
one bites
the dust

John
Barrass and
Victor Shamov enjoy as Tony Blanco dispatches fellow club mate Matt
Chadwick

Tony
showing the
nerve hold to add that extra bit of pain

Oh
no - not
again...John and Matt

Finishing
the day on
a fun note...instructors adopt their usual poses...
AN
INTERVIEW WITH SAMBO'S JOHN CLARKE
John Clarke is one of the
best
Sambo exponents in Europe.
Having
trained under his father Martin Clark, 8th Dan and President of the
International Budo Federation UK, and his grandfather the
great Judo
exponent Nobby Clark, from a very young age, John has been
emersed in the
world grappling his whole life.
He
has
represented Great Britain and won top international medals in Judo,
Sambo, Kuresh wrestling and
freestyle wrestling as well as other styles.
But
recently
he had to retire after due to a knee injury.

(Caption):
John Clarke has spent his life in the grappling arts
Phil Doherty, editor of
Martial
News,
talks to John about his life in grappling...
Martial
News: Hello John, thank you for taking time out to speak to us
John
Clark: Hello and thank you.
MN:
You come from a family famous for grappling - your
father Martin and Grandfather Judo legend Nobby Clarke - was
it
inevitable you also go into the arts?
JC:
Mr grandfather Nobby
Clarke was still teaching Judo but unfortunately I never got
to see him compete. I wanted to follow the family footsteps and I
really
enjoyed competing from a young age right up until I had my knee
operation. I
had to end my competitive career as had torn the knee cartlidge and the
surgeons simply couldn't repair it. Its was basically bone on bone and
it
forced me to retire. However, I still teach and I watch my students
competing
which I get a lot of satisfaction from.
MN:
How old
were you when you first stated training, and what was it like back then?
JC:
I
started training in Judo from around the age of five. At that time
there
was thousands and thousands of children doing Judo and my father Martin
had
three classes running with at least 30 youngsters training in each one.
I loved
it because they were youngsters and you get some good play in. When I
was
14-years-old I moved over to the senior mat and spent years getting
mashed! But
when I got older, bigger and stronger I turned the tables on them and
did some
mashing of my own. But that's the way it was in those days, no-one took
it easy
on you just because you were a kid. But you learned a lot that way.

(Caption):
John competing in a major Sambo
competition
MN: Do you think the
training
today is not as tough as it was when you first stated in grappling?
JC:
Yes, nowadays the kids don't seem to want to be taught in a tough way
and
the parents just want to hear how great their kid is. I'm a real strict
person
and when I was teaching youngsters if their belt came undone then
they'd get
sit-ups and press-ups. After all your belt if tied properly should
never
come
undone.
MN: What arts have you
competed
in? And what were the highlights of your grappling career?
JC:
I've fought in competitions, not only in Judo but Sambo, freestyle
wrestling and Uzbekistani Kuresh as well. Some of the highlights of my
career
were fighting in the British team in Kuresh where I came second in the
90kg
section, and winning the Open British Championship. Judo was my first
art and
I'm now a fourth Dan in that and a 5th Dan in the IBF. Then my old man
got into
Sambo and I got into freestyle wrestling at around ten-years of age.
But I then
broke my elbow in a competition, completely snapped it in two.
MN:How did that affect
your Judo
career?
JC:
I had to completely change my Judo and I had to learn how to fight left
handed and that became a real advantage because most people learn how
to fight
against right-handed people. It took me a long time to adapt and
relearn the
basic techniques using my left hand. In 1990 I went to the big London
Open and
won that and then went again the follow year and won that as well.

(Caption):
John Clarke (Blue jacket), practising Sambo
MN: When did you start
doing
Sambo?
JC:
it was around three years after I broke my elbow that I
started Sambo. When I went back to Judo
they couldn't handle it. Sambo is a 100pc different to Judo and its a
lot
harder that Judo. Sambo is what I love the most and although I cannot
compete
anymore I get a lot of satisfaction watching our club lads fight in
competitions.
I won five major Sambo competitions including the school level, youth,
espire,
intermediate and more recently the world senior masters competition. I
was
honoured when I received a special medal from the President of Sambo
for my
contribution to the sport.
MN:
How does
Sambo compare to Judo?
JC:
Sambo
is a far tougher sport than Judo as in judo you can't picked them off
the floor
and throw them to get them to turn like you can in Sambo. Also there is
no
restrictions on grabbing the belts or legs and the points system used
in Sambo
is easier to understand as well for those watching. This makes it a far
better
spectator sport. The throws are a lot more crisper as well and there
are
no
restrictions. I think Judo is finished as a major grappling format. If
you grab
their legs in a Judo match its a foul. I believe that MMA is taking
over with
the young people now going into that instead of Judo. But if I've got a
criticism of MMA is that its involves a lot of ground work but it seems
that
the youngsters doing it don't seem to want to be thrown hard anymore,
instead
they rely on soft takedowns such as shoots.

(Caption):
John with his 5th Dan IBF certificate
MN:What is your most
memorable
young experience in Sambo?
JC:
It was when I
went to the USSR
to fight in Sambo before the Berlin Wall came down. I was around
15-years of
age and at the time it was a massive experience for me to take part in
such a
competition. Back then the big countries in Sambo were all east
European with Russia,
Latvia
and Bulgaria
all being in the finals.
MN:So - what does the
future hold
for you and UK Sambo?
JC:
I
cannot compete anymore but I'm the UK
national Sambo coach and I just
want to push the sport as much as I possible. Most of the people who
train at
my gym in Sittingbourne prefer Sambo to Judo because of its less
restrictions.
Our gym also teaches Kuresh, Pankration and MMA as well as Judo and
Sambo. Its
my passion and we are trying to get it into the Olympics. We have 48
countries competing
in international competitions and you have to have at least 52 before
they will
consider it. But won't be long before we reach that and in a few years
we will
be looking to have Sambo placed into the Games as a
demonstration sport. If it does
make it into the Olympics then I believe it will take over from Judo as
the
Games wrestling spectator sport.
MN: Thank you john for
taking
time to talk to us...
JC:
Thank you for giving me the opportunity
For
further information on Sambo phone: 01795 437124
Or
visit:
WING
CHUN WORLD RECORD - PIC FEATURE

(Caption):
Grandmaster Samuel Kwok
and Mark (centre) with students from other clubs from the UK, Malaysia,
USA and
Mauritius
STANDFIRST: WING
Chun practitioners from across
the world descended on a
Chinese village to set a world record for the number of people training
in the
art at one time.
Amongst those 3,170 students, instructors and masters of the system who
went to
Luo village, Nanhai, Foshan, was North East Sifu Mark Beardsell.
Mark describes the event for Martial News.
By Mark Beardsell
THOUSANDS of Wing Chun practitioners have set a new World Guinness Book
of
Records for the highest number training at one time.
The successful attempt was held in the home town of Master Ye Wen
who taught Bruce Lee the
fighting system.
Those who took part in the event, held on September 25, ranged in age
from the
old to youngsters.
I travelled to China
with my Grandmaster Samuel Kwok. We had also visited the Ip Man Tong in
Foshan.
We were with colleagues from London,
Malaysia,
the United
States
and a couple of Grandmaster Samuel Keok's student
who come from Mauritius.
It was
amazing to see so many
people in one place to demonstrate wing chun
I was
hoping
to see Grandmaster Ip
Chun there, but alas he could not make it. I had seen him a few days
before,
when he said since the release of the third ip man movie "The Legend is
Born" he has become more famous playing the part of Leung Bik in that
movie, and now everyone wants to learn wing chun from him.
Because
he
could not make it he
had recorded a message that was played over the PA system at the event
but it
was in Cantonese so there was no way of knowing what was said as I only
know a
few words.

(Caption):
The wall where the participants signed their names
When
we arrived we
entered via the red carpet, we than
signed a big wall poster we were shown some front row seat and given a
programme and a T-shirt and water, it was very hot that day and an
hour's sun
left me sunburned.

(Caption):
Grandmaster Samuel Kwok with Mark
There
was the sound of
drums all around and several lion
dances were going on, it was very colourful and something to remember,
the
evening before we had visited the Choy Lee Fut Kung Fu school to pay
are
respects and share each others Kung Fu, outside they were practising a
routine
for display, it was not till next day at the event that I realised why,
it was
for the demonstration we were now attending.

(Caption):
As
well as Wing Chun there was a display by a Choy Lee Fut Kung Fu school
Flying
around are heads
was a helicopter and film crew the lady
next to me gave them a wave and they waved back.
There
was a platform
where all
the dignitaries were sat, there were Chinese film stars making
announcements,
there was a herd of ground camera crew hovering round taking photos, an
English
speaking report came and sat down and started asking about us and
asking detail
of why we came to be here, a local TV presenter was stood right next to
me
recording a broadcast, it was really cool.

(Caption):
The event was covered by the media
On the surrounding roof
tops there
were people looking down watching, and just to are right was a wide
area which
was just a sea of heads doing Wing Chun lead by Rose Chan I know she is
a
celebrity but not sure what for, she was leading everyone doing the
Wing Chun
demo form made up of siu lim tau, chum kiu and biu gee.

(Caption): Rose Chan leads the practitioners
The
guy who stood in
for Ip Chun was his head teacher Leung Chung Wai whom I had met before
and gave
me the thumbs up to say hi, it goes to show you that a language is not
always a
barrier between nations.

(Caption):
Thousands turned up to take part with the crowd stretching back beyond
this picture
There
were also other
Wing Chun schools sat around,
some I did not know but everyone was friendly and as you know the
record was
broken from last year, along the sides of the main stage were flags of
all the
different Wing Chun schools and also along the side were a number of
Wing Chun
dummies.

(Caption):
Practitioners using the wooden dummies during the successful attempt
Nearing
the end my Sifu
Samuel Kwok was spotted by a TV crew and said
a few words then demonstrated Ip Man Wing Chun, it truly was an amazing
afternoon and it was clear to see that so much work had gone into the
day by
everyone taking part.

(Caption):
Schools from across China and the world participated
Mark
has now opened a new Kwoon and is holding beginner sessions at 33
Woodford Walk, Thornaby, Stockton-on-Tees, from Monday to Thursday from
7pm.
Monday and Wednesday are for private lessons, while Tuesday and
Thursday are open to all students.
To
find out
more about classes phone Mark on: 07766
307432
or email:
or
visit:
For
more
information on Grandmaster Samuel Kwok and Ip Man Wing Chun visit:
TAEKWONDISTS
RAISE CASH TO HELP
AFRICAN
SCHOOL

(Caption):
Doctor Ceri Sutherland
with Louis' teacher Happiness Khanyile
By Phil Doherty
A TAEKWONDO practitioner is holding a charity auction to raise cash for
a
school in a poverty-stricken part of South Africa.
Doctor Ceri Sutherland, 42, of Littlehoughton, near Alnwick,
Northumberland, is
holding the event to raise cash for the school her son Louis, 8,
attended while
the family worked at the local hospital in KwaZulu-Natal.
With schools in South
Africa
usually being fee-paying and relying on family, they struggle with
basics such
as decent classrooms, books and teachers’ wages.
Ceri and her husband Dr Riaan Swanepoel, 42, who also is trained in
Taekwondo,
moved to the KwaZulu-Natal
in 2008 to help at the local Manguzi hospital, near KwaNgwanase, which
has huge
problems with Aids and HIV among the local population.
Ceri said: "KwaZulu-Natal
was one of the
so-called black homelands under the apartheid regime and the local
people
there, the Tonga,
live in rural poverty.
"There is a lot of HIV and aids and one in three pregnant women there
have
the disease and we were helping with the drive to stop this being
transferred
to their children through what is known medically as vertical
transmission.
More than 70pc of those who live there are described as economically
inactive.

(Caption):
Louis with Happiness at
the John
Wesley
Kosi
Bay
school
"My son Louis went to the local church school called John
Wesley
Kosi
Bay
and the children there came from very poor backgrounds. The schools
fees are a
big dent in the family income.
"I feel very strongly about the school as it is very well run by the
head
teacher Mrs Tembi and her staff.
The children are taught in old pre-fabs and we are hoping to raise cash
to help
them build brick classrooms, help them pay better wages for the
teachers and
also provide small bursaries so some of the brightest children can go
on to
better senior schools in places like Johannesburg.

(Caption):
The cash raised will go
towards replacing these porta-cabin classrooms with ones made of brick
"These children have aspirations like anyone else, and they have a high
respect education but they need the basic condition to be able to reach
their
aspirations. The school's has great aspirations to become a leading
school in
the area with a best facilities for their pupils.
"The
area
they
live in is one the most beautiful places in South Africa
and is a world
heritage site and hoping that people will back this auction by
attending and
donating so these kids can have the education they deserve."

(Caption):
The children of Kosi
Bay
school take real pride in their education
Ceri’s husband Riaan is South African born and the family
lived there for
nearly two years before moving back to the UK.
Ceri is an anaesthetist in South
Tyneside
Hospital
and Riaan is a
GP who works in different practices across north Northumberland. Riaan
trained
as a doctor in the South
Africa
and he wanted to give some thing
back.
Kosi
Bay,
in the Manguzi (KwaNgwanase) area, is
in the far north east of South
Africa
and is only 10-miles from the border with Mozambique.
Johannesburg
is 370 miles away and Durban
is 250 miles away.
The school was established in 2000 and is on land given to it founders
by the
local chief. Its first classrooms were left over pre-fab buildings left
behind
by a road building company. The prefabs are old and dilapidated and are
very
hot in the summer.
The local authority, Umhlabuyalingana
Municipality,
built one new classroom and a toilet block for the school,
and since its foundation , the school itself has managed to build seven
more.
Parents take their children's education very seriously in the area and
there
now 660 learners now on its enrollment. But the school is in
desperate
need of new buildings to help develop and give the children in the area
the
best possible start in education they can provide.
John
Wesley
Kosi
Bay
School
has 24 full-time dedicated teachers, and six assistants - who all take
substantially less in salaries than in state schools - and
gap year
students.
The school has a long term ambition of building 16 more classrooms to
cope with
the increasing numbers of enrollments, two new toilet blocks, a media
centre,
sports field, cricket nets, covered area for creche, staff
accommodation and a
school hall, a tuckshop for the children.
Ceri and Riaan are holding the auction at Rock Hall School, Rock, on
Friday 9th
July from 6pm. Items up for grabs include a weeks holiday in France; a
day’s
fishing; a month’s worth of free martial arts training; a
round of golf at
Dunstanburgh golf course; a day out at The Alnwick Garden; pony rides
and a
sailing boat trip to the Farne Isles plus much more.
For more
information email:
ceri.jane@virgin.net
++++CLUB FEATURE++++CLUB FEATURE++++CLUB FEATURE++++CLUB FEATU
DFM REIVERS MMA - NORTHUMBRIA'S FIGHTING TEAM
DFM
Reivers MMA is one
of the top fighting clubs in the region and is rapidly gaining a
reputation for
producing quality fighters.
Part of DFM Martial Arts the club is run by DFM head coach Robert
Currah, a
former Karate England squad member who has trained in Kickboxing,
Brazilian
Jui-jitsu, Judo and Aikido.
It is based in
Alnwick, Northumberland, and is
named after the feared border
raiders - The Reivers - who were at the forefront of the 300
year border
wars between Scotland
and England.
Fighters from the club regularly compete in MMA competitions across the
region
including DFM's Cage Fight Nights, the Northern Fight league,
Cage Kombat
and Total Combat.

(Caption):
DFM Reivers
MMA Club is based in Alnwick - the flag is the flag of Northumbria
which
covers the Scottish Borders,
the North East, old Cumberland
and Yorkshire
Martial
News: Hello Rob,
thank
you for taking time to do this interview.
Rob
Currah: Hello Martial News, it my pleasure.
MN: Can we start by explaining what DFM Reivers MMA Club teaches?
RC: The
club teaches kickboxing, a bit of Judo, Brazilian Jui-jitsu, submission
wrestling and a mix of Karate and Taekwondo kicking. We train four days
a week,
Monday, Wednesday, Friday and Sunday. All the fighters are dedicated
and train
between three and four times a week, which is great as we like the
fighters to
train as much as possible as they are training in more than one art and
there is
more to learn and to take in.

(Caption):
DFM Head
Coach Robert Currah teaching a class...
MN: What does a
normal session consist of?
RC: A session usually starts with a warm up with 10 to 15 minutes of
skipping,
a lot of stretching and 20 minutes of conditioning and circuit
training.
Then afterwards we go through pad work and ground work practice. The we
split
the class up into two groups; with the pro and semi-pro training on one
side
and amateur on the other.
MN: Why do you
separate the two groups?
RC: The pro and semi-pro do the same routines and drills including
stand up and
ground work. Because we train them together the semi-pro fighters learn
from
the more experienced pros. This has a good effect on the club because
it
provides a learning curve to help the semis and, becsause the pros have
to
break down techniques for the semis, they themselves get a deeper
knowledge of
the technique themselves.

(Caption)
DFM Reivers
Dave "Diddy" Brown, Liam Holborn and Ryan Copland
MN: Does this
approach produce a tighter, closely
knit team?
RC: Yes it does because because it means that there is an atmosphere of
friendliness and helping one another. This creates respect and
friendship
between the fighters and the team have bonded well and help each other
as much
as they can.
MN: How old is the club?
RC: The club has been running for around three years. It takes a long
time to
build up a team from scratch but already we have some very promising
fighters
coming through. There is usually at least one of our fighters competing
somewhere
in the region in a month during the fight season.

(Caption):
DFM Reiver
Ben Warner in action at the Alnwick
Garden
Cage Fight Night
MN: So who are up-and-coming fighters from the team?
RC: Ben Warner, Robbie Weir and Callem Bell. They're young and eager to
learn.
Then there is Shaun Phillips who looking to be a very promising
semi-pro, as
well as our top fighters such as Ryan Copland, Liam Holborn and Dave
Brown. But
there are others...
MN: DFM teaches more than just MMA doesn't it?
RC: Yes,
we also have a DFM
Kickboxing club which has been going for
seven years. Some of the top fighters from that club include Chris
Faulkner who
likes to fight K - 1 and Lisa Williams who is also a DFM
instructor...she
loves fighting.

(Caption):
Lisa
Williams, DFM Kickboxing Instructor and fighter
MN:
Are finding
more females are becoming interested
in MMA?
RC: We are getting more females joining the club for fitness
but not
wanting to compete yet. They might fight in the future, however its up
to them.
Wherever possible the females partner each other during groundwork so
they
don't feel uncomfortable.
MN: Where do you see the team in the future?
RC: All the lads put in 100pc and have good prospects if they keep on
the
pressure and train regularly. I can see at least two of our fighters
having a
chance to get into the UFC in the future. What we are are after is a
good
reputation for building up good fighters and excellent competition
teams. We
have had a lot of success and we compete regularly. Although we are a
fighting
club we don't push anyone into taking a bout as the fighters always
decide what
they want to do. The club will hopefully go from strength to strength
and gain
a good reputation on the fight circuit for producing
skillful fighters."
DFM
REIVER
"SPORTS PERSONALITY OF THE YEAR"

(Caption): Liam
Holborn with his Cage Kombat Cruiserweight belt
DFM
Reiver Liam
Holborn has been named as sports personality of the year by readers of
the
Berwick Advertiser.
Liam,
who
is
part of the Alnwick-based DFM Reivers MMA team, but comes from Berwick,
won the
Cage Kombat Pro Cruiserweight title late last year.
Early in 2009 he held a charity event where he fought for 100-minutes
non-stop
to raise cash for the haematology and oncology ward 2 at the Royal
Hospital
for Sick Children - Edinburgh, and the Schiehallion Unit at the Royal
Hospital
for Sick Children - Yorkhill, Glasgow.
Liam also helps kids with anger management problems with kickboxing
sessions
and is an assistant DFM instructor with the Reiver team.
He will soon be taking his 1st Dan Black Belt and
full-instructors test
for MMA.
For more
information on DFM Reivers go to: www.dfmmartialarts.co.uk
Email: robert@currah35.wanadoo.co.uk
Phone: 01665 510634
THE BRAZILIAN WORLD KENDO
CHAMPIONSHIPS

(Caption):
GB team in action at the World Kendo Championship which was held in
Brazil
By
Sean
Starr (GB Kendo Manager) and Alan Thompson (Vice Captain of GB team)
Pics
by
Kohjiro Kinno
THE World Kendo Championships have been held in Brazil.
Held every three years, the championships were held over three days in
the Brazilian cities of Sao Bernado do Campo and Sao Paulo.
This was the 14th championship under the International Kendo Federation
(FIK) and were hosted by the Brazilian Kendo Federation.
A total of 149 men and 104 women competed from 39 countries.
The program consisted of
the following:
August 28, 2009 (Friday)
Adib Moysés Dib Gym – São Bernardo do
Campo
(Av. Kennedy, 1155, Bairro Anchieta, São Bernardo do Campo)
9 AM - Opening Ceremony
9:30 AM - Men’s Individual Championship
5 PM -Commendation Ceremony, Goodwill Keiko
August 29, (Saturday)
Adib Moysés Dib Gym – São Bernardo do
Campo
(Av. Kennedy, 1155, Bairro Anchieta, São Bernardo do Campo)
9 AM - Opening Ceremony
9:30 AM - Women’s Individual Championship and
Women’s Team Championship
5 PM - Commendation Ceremony, Goodwill Keiko
August 30, 2009 (Sunday)
Adib Moysés Dib Gym – São Bernardo do
Campo
(Av. Kennedy, 1155, Bairro Anchieta, São Bernardo do Campo)
9 AM - Opening Ceremony
9:30 AM - Men’s
Team Championship
5:30 PM - Commendation and Closing Ceremonies

Sean
Starr said: "The majority of GB team arrived on the Monday 24 August,
meeting up with Stuart 'Gibbo' Gibson that evening. Having rested
Tuesday began
at 5am up and ready for breakfast at 6am. We then had a brief meeting
and at
10am left for two hours training.
"Friday
the 28th had arrived; the entire first day was dedicated to the
Men’s Individual
Championships.
"There
were 149 competitors who had to battled through an initial three-man
pool to
decide who would enter the formal tournament rounds.
"A
random drawing was conducted to decide the three-man pools resulting in
many
tough head-to-head matches of some of the most highly praised
competitors.
"The
main draw had resulted in Teramoto of Japan, 2007 All-Japan champion,
W. Kim of Korea,
also a national champion, and Chris Yang, American national champion
and
captain of the US
team.
"The
individuals for the GB team both men and women proved to be challenging
and as
expected the level of opponents was extremely high with most GB members
facing
formidable opponents.
"First
to fight was Gibbo. He fought a determined I Iassic from the Dominican
Republic.
It was not until encho did Gibbo dominate and score a men.
"He
then met up with R Jastack from Poland.
Again the fight went to encho, and in a momentary lapse of
concentration from
Gibbo, a debana kote was score against him.
"Andrew
Fisher, had to beat T Miranda from Chile.
This was an intense fight, in which no one particularly dominated,
however,
Miranda scored an early kote. Andy fought admirably to gain
control of the
fight, but in the last minute Miranda scored a kaishi
do. Unfortunately
Andy’s other competitor did not show and therefore
Andy’s competition came to
an end.
"Max
Davies, as with Andy, only had one competitor to beat proceed to the
next
round. T Vigburg, from Flinland, a very strong Jodan player.
"He
unfortunately, scored a men in the dying minutes of the fight, not
allowing Max
time to get a point back.
"Alan
Thompson made it through to the second round having won his pool by
defeating
the Czech Republic’s M Kovak, with a guyaku dou, during
encho. Then New Zealand’s
Dong Ho Choo. In fighting to get to the last 16 Thompson met the USA’s
Danny Yang a WKC experienced player and the last WKC’s
finalist. Yang succeeded
1-0 in a truly entertaining bout."
Saturday
the 29th was women’s day, with both the individual
championship conducted in
the morning and the Women’s Team Championship in the
afternoon.
There
was 104 women challenging for the top position.
The GB
team took two women. Emily Knight and the Captain Geraldina Mattsson.
Emily
met C.Kobayashi,
from Austrialia and A.Nakamura from France. In
both fights Emily fought hard and did not give anything away,
easily.
Unfortunately,
both players who had significantly more
experience prevailed, beating Emily 2-0.
Geraldina,
fought A.Kuwabara from the USA. This
was quite an evenly balanced fight, and with many occasions Gelaldina
coming
close to scoring a point and at one point the shinpan twitched and she
nearly
scored a kote against a very strong player.
Within
the dying minute of the fight Kuwabara scored,
allowing no time for Geraldina the opportunity to come back.
Geraldina’s other
opponent did not show and her competition had come to an end.
"This
year, as in the past, the Japanese women were favoured for top places
and they
did not disappoint; their kendo was truly a textbook performance.
Hopefully and
invitation could be sent out to see some of them perform in the UK.

"The
tournament culminated on Sunday the 30th. Perhaps the most
highly
anticipated WKCs ever, with the entire kendo community looking at this
WKC’s
Men’s Team Championships to see the spectacle of Japan
fighting for the
first time as a challenger, against a Korean team ready to defend their
WKC
title, and the United States
team, last WKC’s finalists working harder than
ever.
"Not
limited to these teams, the increase in experience and skill in many of
the
power-house teams, European champions France, Italy,
GB, Canada,
Brazil,
and so forth, made this tournament the toughest ever.
"The
WKCs has finally become a true international event in which no country
can
claim total domination.
"The
atmosphere in the arena was electric and the silence before a bout was
extraordinary. Within the team the silent contemplations began with
individuals
touching their wife/girlfriend/friends blessed charms and then the
moment of
years of training came down to this instant.

"BKA
members had contributed to our participation; the GB flag was wafting
in the
wings, we had to perform.
"At
this juncture we truly appreciated the gentle healing/massaging hands
of
Narendra Arjan the GB osteopath who
performed miracles with his
bone setting techniques to straighten us out and indeed totally relax
all and
sundry.
"First
up was the Malaysian National team. We had not been able to obtain any
information of the standard of Malaysian Kendo; we did however know one
thing,
they were here and defeating the GB team would be a worthy
scalp.
"The
match was nervy as expected but we prevailed 5-0.

"Next
up was the Nederland’s
team. The
Dutch were in one sense a simpler proposition we knew most of the team,
however
in the second instance they were indeed experienced and of a very high
standard
kendoka. This proved evident when we lost our first two matches,
2-0.
"The
team had their back against the wall. The third match was critical,
lose and we
go home. Mark Halls affectionately christened
‘Scarface’ carried the weight of
the BKA on his back.
"Mark
lost the first ippon, we were on our way home, then Mark pulled one
back it was
1-1, but not enough we were already 2-0 matches down.
"Max
Davies and Alex Heyworth screamed instructions; Mark advanced, blocked
a sure
men and completed the sweetest Kaishi-Do, 2-1. We had won the decisive
match.

"Next
up was Thompson, one glance at Gibbo who yelled '2-0 and nothing less'.
Thompson’s first ippon was less than 30 seconds a perfect
Men. The GB teamed
screamed instructions to finish the opponent, the bout nearly lasted
the full
five minutes until Thompson received a Hansoku for time delay.
"Seemingly
angered Thompson came straight out with a signature Kote, 2-0.
"Next
up was the Taisho-Sen, Gibbo. Who else would you turn too at this
moment; two
glorious Men later it was 2-0 we had beaten the Dutch.
"Next
up was the USA.
We lost to the USA
3-0 and apart from their defeat in the final to Japan
we had performed the
best against the USA
with Jon Fitzgerald drawing and Gibbo winning, 2-1, with some awesome
kendo.
"He
deservedly got the WKC fighting spirit award, for his performance of
such a
strong player.
"Now
on to the European championship... As Kendo World commented
‘The efforts
of all the individual competitors, their combined struggle as teams,
the
combination of both men and women striving to improve themselves, all
based on
the precepts of traditional Japanese kendo: to respect each other, to
seek
self-improvement, to become a positive force in the society, these
things will
surely contribute to a better world’.
"Thank
you to Matsumoto Sensei, Honga sensei and all the BKA members. I hope
we made
you proud."
Written
by Sean Starr (GB Kendo Manager) and Alan Thompson (Vice Captain of GB
team)
Women’s
Individual Championship Results - August 29,
2009
1st Place: JPN
7
- YUKIKO TAKAMI
2nd
Place: JPN
5 - SACHIE SHOJIMA
3rd
Place
: BRA 9
- ELIETE HARUMI TAKASHINA
3rd
Place
: JPN 6
- CHIKANO SHINZATO
* Fighting Spirit Award
USA 6 - Grace Lee
ITA
1 - Mirial Livolsi
BRA
8
- Aline Lie Kimura
KOR
3 - Yun
- Yeong Lee
CAN
8
- Misato Hamanaka
KOR
6 - Ka-
Hee Jeon
FIN
2
- Mia Raitanen
KOR
8 -
Sun -
Young Park
Men’s
Individual Championship - August 28, 2009
1st Place: JPN
5 -
SHOJI TERAMOTO
2nd
Place: KOR
8 - BYONG HOON PARK
3rd
Place
: KOR 9
- CHUL-KYU CHOI
3rd
Place
: KOR 2
- KANG-HO LEE
* Fighting Spirit Award
HUN 2 - Norbert Kiraly
JPN
7 - Tsuneomi Furusawa
HUN
4 -
Gabor Babos
ITA
2 - Frabizio Mandia
AUS
1 -
Kirby Smith
USA
8 -
Jason Brown
JPN
10 -
Daisuki
Wako
USA
2 -
Daniel Yang
Women’s
Team Championship Results - August 29, 2009
1st Place: JAPAN
(JPN 1 - Shoko Otsuji; JPN 2 -
Keiko Kondo; JPN 3 - Yoko Sakuma; JPN 4 - Mika Shimokawa; JPN 8 - Yuka
Tsubota;
JPN 9 - Shinatsu Murayama; JPN 10 - Mariko Yamamoto)
2nd Place: KOREA
(KOR 1 - Youn-Jung Park; KOR 2 -
A-Reum Byeon; KOR 3 - Yun-Yeong Lee; KOR 4 - Hye-Rim Lee; KOR 6 -
Ka-Hee Jeon;
KOR 8 - Sun-Young Park; KOR 10 - A-Ram Lee)
3rd Place : BRAZIL
(BRA 1 - Elzami Miwa Onaka; BRA 2 -
Lilian Natsumi Miyazawa; BRA 3 - Maria Carolina Kyouko Takeuchi; BRA 4
-
Cristiane Lie Toida; BRA 5 - Izumi Honda; BRA 6 - Mariana Harumi Cruz
Tsukamoto; BRA 7 - Erika Keiko Ashiuchi)
3rd Place : USA
(USA 1 - Shannon Mikuni; USA 2 -
Kaori Kikunaga; USA 3 - Mistuyo Sakae; USA 4 - Sachiko Tamura; USA 5 -
Michiye
Cabral; USA 6 - Grace Lee; USA 7 - Nishiki Sano)
Men’s
Team Championship Results - August 30, 2009
1st Place: JAPAN
(JPN 1 - Ryoichi Uchimura; JPN 2 -
Daiki Kiwada; JPN 3 - Kenji Shodai; JPN 4 - Sussumu Takanabe; JPN 5 -
Shoji
Teramoto; JPN 8 - Tadaomi Hojo; JPN 9 - Shinsuke Matsuwaki)
2nd Place: USA
(USA 1 - Christopher Yang; USA 2 -
Daniel Yang; USA 3 - Marvin Kawabata; USA 4 - Brandon Harada; USA 5 -
Sandy
Maruyama; USA 6 - Kevin Huh; USA 7 - Simon Yoo)
3rd Place: BRAZIL
(BRA 1 - Jogi Sato; BRA 2 - Julio
Kenji Toida; BRA 3 - Ernesto Eisaku Onaka; BRA 4 - Vitor Zen Moreno
Tachibana;
BRA 5 - Coichi Urano; BRA 6 - Heiji Kariya; BRA 7 - Alberto Massumi
Takayama)
3rd Place: Korea
(KOR 1 - Sung-Hong Jang; KOR 2 -
Kang-Ho Lee; KOR 4 - Du-Hwan Baek; KOR 5 - Wan-Soo Kim; KOR 7 -
Yong-Chul Kim;
KOR 9 - Chul-Kyu Choi; KOR 10 - Jin-Yong Jo)
* Fighting Spirit Award
ROM 1 - Mihai Dutescu
CHN
1 -
Ting Yu
FRA 4 - Jean Nicolas Heurtevin
POL
1 -
Mariusz
Wial
HUN
2 -
Norbert
Kiraly
GBR
5 -
Stewart
Gibson
CAN
3 -
Shigemitsu
Kamata
ITA
2 -
Fabrizio
Mandia
To learn more about Kendo,
Iaido
or Jodo visit: www.kendo.org.uk
For
more
information about the photography work of Kohjiro Kinno visit: www.kohjirokinno.com